Phillipe Vergne
seems to be indicating that MOCA will return to being, "The Artist's Museum," as it was originally designed to be. This is crucial as so many institutions have become or always were
all about their institutional growth (MOMA etc.). At the same time, "enabling curators," doesn't necessarily make MOCA an artist's museum... only certain types of curators do that and they are extremely rare. In many ways museums have become victims of their own success at hoarding presciently collected art. Question is... is it MOCA's turn and if so does that mean they will ever have room for their permanent collection? Deaccessioning doesn't seem like a great idea either but objects/pieces do put conditions on resource allocation for institutions. Vergne wasn't all that successful at returning the Dia to its glory days as the world's greatest art patron but he might have an easier time achieving such aims at MOCA. Controlled growth that creates more options rather than limiting them is a key but can Vergne really back up that ambition? He certainly needs to keep MOCA hungry and risk taking but it remains whether they can actually turn back the clock a bit?
How can Portland support so many new restaurants asks Oregon Business? It is a visual art related question because it indicates where we spend our entertainment dollars and why Portland IS special (hint it isn't corporate). It is also where a lot of the artists, musicians etc find both employment, restaurant design/branding gigs, which helps explain why Portland is the best place to network in a genuine way if you want to center your life on a moral ethos rather than a corporate one. Not that jobs are easy to come by but it does explain why we are so vibrant. The artists move here and make it more interesting... the restaurants help pay the bills (barely) and elevate a necessity like eating into something sublime. The artists, musicians etc. then channel this life energy into more durable work, which has a different ethos while staying sharp and hungry. One which is all about sharing a seat at the table rather than pure raw ambition with no boundaries. There is a life affirming ethos here and it is convivially cosmopolitan, rather than greedy. Notably art, music, design and food are what we do best here. They all feed each other.
With that in mind check out the
new Glyph cafe and art space.
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