Newish Mercury critic Matt Stangel has
a
review of Bobbi Woods at Fourteen 30, a show I'll definitely check out before
the end of the month. Nice to see the Merc is still committed to criticism in
a time when all publishing is facing serious business challenges.
NYT's architecture critic Nicolai Ouroussoff discusses the newly unveiled
Net's
stadium design by none other than SHoP architects, one of the four teams
that
competed to do Portland's
now
iconic aerial tram. We absolutely require another such competition to produce
an
acceptable design for the new I-5 Columbia River Crossing. Current design
is a farce, lacking the world class thinking such a complicated project requires.
For once, the O just sticks
to
the facts in their reportage poll results (70% in favor) for
CAN's
plan to raise 15-20 million in a new tax levy for the arts. Seriously, I
enjoy not having to bitch about his conservative-reactionary O'Reilly Factor style reportage and it is
nice when Row doesn't editorialize or hyperfocus on money as if it is the
only thing that matters in the arts. Quality matters more than anything and
it's the quality here that has an international reach, relevance and growing
acclaim. In short, money is a trailing not a leading indicator in Portland,
and the quality of artists living and working here has been the driving impetus
for Portland's decade + long renaissance and rising prominence (he has utterly
failed to capture that story in the past decade). To be fair, his editors may
play a part in this as well as they love to paint Portland's art infrastructure
as wealthy people feeling the economic pain... when in fact they are mostly
small business people feeling the pain.) Meanwhile new alt spaces continue to
sprout up left and right economy be damned (artists are used to not having any
money and making the most of very little).
New Arts blog Culturephile, with old PORTpal Lisa Radon reviews
Robert
Boyd's TBA video at PNCA. Always good to have more critics in town and glad
the Portland Monthly has jumped into the game. Good arts writers are much rarer
than good artists in Portland these days.
Thanks for signing in,
. Now you can comment. (sign
out)
(If you haven't left a comment here before, you may need to be approved by
the site owner before your comment will appear. Until then, it won't appear
on the entry. Thanks for waiting.)