Pedestrian view from proposed "Hybrid" bridge, courtesy Rosales + Partners/Schlaich Bergermann and Partner LP
Brian Libby at
Portland
Architecture has a great follow up on the
hybrid
bridge unveiling. I couldn't make it but this more detailed design is much
better and Rosales is correct in that this hybrid cablestay/suspension design
is more transparent experience for users (see above) than the
wave
design. My overall concern centers around how this future Portland icon
is getting less aesthetic attention things like former
Mayor
Potter's beard or Randy Leonard's bass-akwards
fixation
on a neon sign. Aesthetics matter and it seems like design is trying to
be snuck in through the back door of the discussion. This is the same problem
with the
I-5 bridge, which needs a top tier architect to pull off with any kind of
hope for success.
Barry Johnson over at the Oregonian, is also discussing Willamette bridge appropriateness
with
some
good thoughts. Still, his focus on height is a bit of a red herring, it's
about a design that stands up to context rather than pandering to it. A more
tailored cable stay design could be even more elegant and appropriate than the
wave or hybrid design and declare that pedestrians/bikes and mass transit are
the most celebrated modes of locomotion in the city. In my mind this bridge
was considered an engineering and budget driven project above all else. The
aesthetics are being added at the end... a kind of hail mary attempt by the
architect to save the process from itself . That strategy is appropriate for
the architect but frankly it's bad for a "city planning"... ironically
what the bridge will come to symbolize. All things considered this "hybrid"
design should be Trimet's first choice (let's see).
All that that said this Willamette span issue clears the path for
stronger
discussion of the I-5 bridge, which is currently a blind man's elephant
in dire need of an architectural competition to gain clarity.
Touchstone's I-5 design ideas a-la-Vancouver are frankly A JOKE that Portland can't take seriously, it looks like a damn casino, not a bridge. Also, the Oregonian
still requires a real architecture critic to take the lead in this discussion,
healthy civics require major and experienced critical framing. Art criticism
is more of an insiders game and PORT is just offering an aesthetic assessment
on a larger issue... our focus makes us more limited in major civic discussions.
Important yes, but we are just voices from the vis art community.
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