Jasper Johns Between the Clock and the Bed, 1982-83
Encaustic on canvas (three panels) Virginia Museum of Fine Arts, Richmond © Jasper Johns/Licensed by VAGA, New York, NY Photo: Jamie M. Stukenberg/Professional Graphics Inc., Rockford, Illinois
Jasper Johns is one of my all-time favorite artists and unlike Richard Prince
he tells jokes so great they become poetry before they become punchlines (Prince
starts with the punchline and then tries to reverse engineer them). Sadly, Im
not all that convinced by Johns' later work but I consider paintings like "Between
the Clock and the Bed" to be great art. It is a cypher of space and a semipermiable
abstraction... like the sea it doesnt give up its secrets or it's dead. Im not
afraid to utter the dreaded term "great" in the presence of a body
of work like this. In Portland we are intimately acquainted with the color gray
so the
Jasper
Johns: Gray show at the Met is of special interest... that and we still
have tons of
encaustic
painters here.
Jerry Saltz has
a
wonderful wonderful take on the Met's current Johns show.
Donald
Kuspit's take is dense and possibly a tad turgid on Artnet (with some great
show photos worth checking out).
Roberta
Smith's take on Johns is worthwhile too (as always) .
PORT's own Arcy Douglass wrote on
Johns
last year here.
Carol Vogel generally leaves me disappointed and
her
personal look at Johns is no exception... where is
Kimmelman (the Times chief hagiographer) when you need him?... Europe! Hagiography
has its place (though it isn't a replacement for critique).
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