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Friday 12.19.14

 

Thursday Topics

It's a slow time of year and I'm making my final "avalanche push" on the mountainous Guenther piece with several other interviews, a year end piece and reviews also already in the works. Here are some excellent posts to consider:

Brian Libby has done a great job covering this early part of Snohetta's James Beard Public Market design process. The egalitarian spirit seems to fit Portland... and it needs to because this is going to be a public space... perhaps the most significant one to be designed in the Northwest since Seattle's Olympic Sculpture Park. Hopefully the mandated public art will be of similar caliber as Jorge Pardo's streetcar stop on the other side of the river? Instead of just plonking down some moderately ingenious metal in front of the building the art should be a kind of brilliant amenity (a Portland sentiment).

8 museum directors choose their favorite art... fine idea but honestly why not ask curators? Perhaps because they are more specialized they would choose from their department?

Police killings lead to a more overtly political art? Well, yes but I believe there is a deeper wave of discontent moving through the art world that comes from the real world. It put Obama in the White House with one word, Change. I feel like the Occupy Movement, police killings, continued violence/silence towards women and broadening income inequality are all just indicators of a tempestuous 2015. Art should be a part of the discussion not just an island floating on a buoyant market and games of certainty. These themes are so pervasive that Art can address them without losing its ability to speak to the ages.

...(more including the CNAA list analysis)


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Posted by Jeff Jahn on December 18, 2014 at 12:12 | Comments (0)


Monday Links

Getting to know the artists that make other artist's work.

The 2014 year end best of lists have started here in the New York Times. Yes to Robert Gober, but somehow no Hockey and Matisse cutouts because they originated outside NYC venues. (I always like to wait with PORT's lists).

The Guggenheim and other museums are set to start "big data" gathering on you as you move around the museum.


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Posted by Jeff Jahn on December 15, 2014 at 16:00 | Comments (0)


El Greco at PAM

El_greco1_sm.jpg
On view at PAM, El Greco, The Holy Family with Saint Mary Magdalen, 1590-1595, oil on canvas, The Cleveland Museum of Art, Gift of Friends of the Cleveland Museum of Art in memory of J.H. Wade (all photos Jeff Jahn)

As the latest of the Portland Art Museum's very successful Masterworks series, El Greco's The Holy Family with Saint Mary Magdalen, is now on display a few days early.

It is difficult to stylistically pigeon hole the Spanish Baroque painter El Greco (Domenikos Theotokopoulos) but his incredibly stylized elongations of the human body connect him to Italian Mannerists though his explosively empathetic compositions even remind me a little of the Carracci school (Ludovico in particular). Still, perhaps only the later Rembrandt can be considered his rival for supernatural presence and curator Dawson Carr has done a great job in bringing this truly stunning painting to Portland on loan from the Cleveland Museum of Art. Religious or not, it is a must for all lovers of painting and is nothing short of remarkable as all of these Masterwork Series works have been.

Born Crete in 1541... (more)


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Posted by Jeff Jahn on December 12, 2014 at 14:30 | Comments (0)


Weekend Picks

Though the year is winding down with lots of year end parties and held over group shows there are still a few openings this weekend.

Givers_PDX.jpg
It is the giving season so artist Jesse Hayward is doing a kind of autobiographical exhibition, showing many of the works that were given to him over the years at galleryHomeland tonight. Exhibition includes; Olivia Brown, Elias Crouch, Sally Finch, Bryan Friel, Nathan Gibson, Bill Hayward, Midori Hirose, Byron Kurtz, Hannah Lockhart,Mark Moore, Lisa Mir, Jarrett Mitchell, TJ Norris, Tim Schwartz, Sibel Sunar, Liz Walsh.

Givers | Opens December 12 6-9PM
galleryHomeland Portland
2505 SE 11th Ave



Reall_cool_S1.jpg
Thomas J. Gamble's latest show at S1 titled "It's Really Cool To Be Here" focuses on the here and now. The the show title is taken from an interview the night the Eric Garner protests started.

Opening 6:00PM
S1
4148 NE Hancock


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Posted by Jeff Jahn on December 12, 2014 at 12:04 | Comments (0)


Precipice Fund II

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Just some of the crowd at the PICA's Precipice Fund announcements

Now in its second year The Precipice Fund was designed to foster the otherwise difficult to fund projects and alternative spaces that have become a major hallmark of Portland's very active art scene through a regranting program administered by PICA. Overall, it is good to see so many in round II that PORT have pointed out in our previous 3 New Faces segments here, here, and here.

19 artist/collaborations/spaces will receive a share of $75,000. What is incredibly valuable is the way it funds somewhat unproven/experimental projects that broaden the programming scope of projects that in most cases would have taken place even without this aid. This is all very important as it is essentially an exploratory progressive grant rather than one that is backloaded on previous history (though progressive Portlands funding sources tend to be safer rather than risk taking). Congratulations everyone. Here's the list as described by PICA::

... (the list and more)


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Posted by Jeff Jahn on December 11, 2014 at 19:26 | Comments (0)


Monday Links

I and other PORTsters are still working on half a dozen major pieces for you (I know, Guenther its coming... it is very close and it is some of my best work but I want it to be done right and we covered so many of his shows that PORT constitutes an important archive of his tenure). Till then:

I just Love this story about a dieing Japanese town where a woman has made scarecrows to repopulate it.

The Art Newspaper reports that curators really don't discover new artists at the fairs. I've found this to be true, the art fair experience generally doesn't provide enough information. Though I did find Hank Willis Thomas' video work at a fair before he became big (video work that needs just a screen or two does work).

Here's the best and most comprehensive collection of Miami art fair images.

Yes the Greeks are incensed about disputed pieces of the Parthenon being lent to Russia.


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Posted by Jeff Jahn on December 08, 2014 at 12:31 | Comments (0)


Kerry James Marshall at PAM

Kerry_James_Marshall.jpg

With all of the racially driven strife bringing people across the US out into the streets, perhaps Kerry James Marshall's talk at PAM is the most contemplative thing Portlanders can do on a cultural level to address this moment in history. Afterwards, catch the Richard Mosse Enclave show for an unimaginable humanistic perspective on a situation with far fewer solutions.

Kerry James Marshall | Critical Voices
Artist Talk: December 7, 2-3PM (free to members, $15 non, $12 seniors and students)
Portland Art Museum
1219 SW Park




*Update, for those who could not attend


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Posted by Jeff Jahn on December 06, 2014 at 21:03 | Comments (0)


First Weekend Picks

Lots of interesting things going on this weekend in the Portland art scene. Here are my picks:

Okubo_sm.jpg

Worksound International presents Spiderland an installation by Mitsu Okubo. Hailing from San Francisco the work mimics the cacophony of numerous voices all speaking at the same time with no real comprehension. Okubo then translates this universalized disconnect onto canvas.

Spiderland | December 5 - January 23
Opening reception: December 5, 6-9PM
820 SE Alder St



...(more)


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Posted by Jeff Jahn on December 05, 2014 at 13:49 | Comments (0)


Friday Links

Read this fascinating review of the Pierre Huyghe retrospective at LACMA. It makes sense that cacophony would improve rather than detract from the experience. Some artists thrive on cognitive dissonance and Huyghe who showed at PAM in 2006 is definitely one of them.

If you are curious about the cacophony of Art Basel Miami Beach this ridiculous article and these images are good surveys. This year with rioting in the streets and an art market that seems less calibrated to reality than profits it seems intellectually irresponsible to expect Miami to be a true bellwether or leading indicator these days. Seems like everyone is expecting more from the art world in 2015 already. Stunt performances jumped the shark a while back, can we be less vapid now?

Portland architect James Harrison gets a little love from Architizer for his Land Yacht project. It has a Olafur Eliasson meets conestoga wagon aspect to it.

Philippe de Montebello former Director of the Met answers questions... including if Museums are really the best place to view art?

Eligin Marbles to be lent to Russia? Wow... perhaps the most disputed artifacts on earth to be sent to a country that the rest of the world is trying to isolate and pressure into better behavior. The Greeks (or anyone paying attention to this tricky issue) cannot be happy with this. Many major museums seem to be tone deaf these days,. it isn't confidence building and loaning these disputed artifacts is akin to giving Bill Cosby an award while amidst very serious allegations. The Greeks understandably consider these pieces of the Parthenon to be a kind of cultural rape. More here.


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Posted by Jeff Jahn on December 05, 2014 at 9:20 | Comments (0)


First Thurday Picks December 2015

December is always the oddest month for Portland's art scene since many of the main galleries are showing in Miami, group shows are the default and numerous other venues are holding over shows from last month so you can check our picks from last month too. Also, check out the Gabriel Liston show we just reviewed. It is held over as well. Here's what is new:

sandra-roumagoux_is_awesome.jpg
Sandra Rouxmagoux

Sandra Rouxmagoux is one of the very best paint handlers in the Pacific Northwest and her juxsapositions of the man made and nature skewer that often tense conversation with tragicomic zest. Even more surprisingly she is beginning her second term as the Mayor of Newport. Thesecond half of this dual person show Oriana Lewton-Leopold explores intens emotional reactions of women from the Olympics to Arthur Miller's The Crucible. Blackfish should be the place to check out expressionistic brushwork in Portland for the Month of December.

Sandra Rouxmagoux and Oriana Lewton-Leopold | December 2-27
Opening: December 4 6-9PM
Artist's talk: December 6, 11:00 AM
Blackfish
420 NW 9th Ave



... (more)


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Posted by Jeff Jahn on December 04, 2014 at 14:37 | Comments (0)


Monday Links

On the eve of the Miami art fairs (somehow they don't feel as crucial anymore) here are some links. We have 3 great interviews in the works for you this month and right after this post I'll be finishing up the Guenther report for you ... it's a major history project that is as much about Portland as it is Guenther and it just keeps getting better. It is very very close to done and I'll publish when it is ready but very soon. Till then enjoy:

Matthew Barney talks to the Guardian.

Michael Kimmelman blasts the new World Trade Center. This is nothing new and critics nearly unanimously (PORT included) all had this pinned long before it even broke ground. The weird thing is that MoMA's expansion is drawing very similar criticism and hasn't been scuttled or at least completely revamped yet.

Will the James Beard Market by Snohetta transform Portland's neglected waterfront? It certainly raises the bar for architectural planning in town.

Drunk German Soccer fans steal a Emil Nolde painting...


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Posted by Jeff Jahn on December 01, 2014 at 10:01 | Comments (0)


Get All That Is Coming To You / the reclamation of Lafe Pence

Get_All_That_Is_Coming_To_You.jpg
Gabriel Liston, Get All That You Have Coming To You

The history of Portland is fraught with fits and starts, arbitrary decisions and long term planning. Still that history is just a construct of illustrational tales we tell ourselves about the path to now. The reality is far more complicated tales. Then there are history paintings, which can be fictional folklore reflecting civic ideals and neurosis and/or it can be embody some degree of accuracy. Also, unlike the History Painting of the past, today's artists aren't held up as verified illustrators projecting onto the present.

...(more)


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Posted by Jeff Jahn on November 30, 2014 at 13:12 | Comments (0)


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